4 Ways Production Music Mentors Gives You the Edge:
Get Expert Guidance on Creating
Tracks That Will Get Used!
Whether you’re a working composer or just started out, we can help take your creations to the next level with guidance on how to create tracks that producers, music supervisors, and editors are excited to use in their projects.
Actually Get Your Music in a
Production Music Library!
Because I own the highly successful Audio Junkies production music library, I can tell you first-hand what we and others look for in a great music track. If you have a great idea for a piece, I will help you develop it so that it could be included in the Audio Junkies library.
Learn Production Secrets From a
Mentor with 1000’s of Hit Tracks in Use
Get the winning formula for creating, producing, mixing, and mastering music for placement in trailers, promos, ads, TV shows, and games.
Learn How to Get Paid For
Your Compositions
We’ll teach you how to build a career and make money in the production music industry. Start earning recurring royalties for licensing your music!
What People are Saying About Brady Ellis and Production Music Mentors
“Brady’s help and expertise were invaluable in helping me learn the ins and outs of music technology, mixing, and composing with a DAW. With Brady’s coaching, I was chosen to compose music for BYU’s 2021 award-winning animation short, “Stowaway.” I am currently attending USC’s highly-competitive screen scoring program, and I have Brady to thank for helping to get me prepared and set up with the right knowledge to make it in the professional world!”
“Brady’s help and expertise were invaluable in helping me learn the ins and outs of music technology, mixing, and composing with a DAW. With Brady’s coaching, I was chosen to compose music for BYU’s 2021 award-winning animation short, “Stowaway.” I am currently attending USC’s highly-competitive screen scoring program, and I have Brady to thank for helping to get me prepared and set up with the right knowledge to make it in the professional world!”
“Brady’s incredible resourcefulness, problem solving creativity and attention to detail provided us with a production value that by far exceeded any of our expectations.”
– Bryan Hofheins, Chief Creative Officer,
Warner/Chappell Music
Put 30 years of industry experience to work for you!
Frequently Asked Questions (FAQs)
Q: How long are mentoring consultations?
A: Sixty minutes
Q: What will I learn in the one-on-one mentoring sessions with Brady?
A: You will learn to improve your production skills. Your music will sound better, and the chances will increase to have your pieces placed on a tv promo commercial, or trailer. The most important thing is knowledge and skills, and that is what we offer.
Q: Which styles of production music does Brady teach or specialize in?
A: He has great knowledge of all the styles. Specifically, he has performed professionally and studied jazz and classical music. He has performed in rock and country bands and has been asked to write in many different styles including hip-hop, EDM, and sound design.
Q: Do I need to have a degree in music to learn from Brady?
A:Music knowledge is the most important thing. How that knowledge is obtained is not as important. He does believe the best way to learn is an ask-and-answer model.
Most times in a classroom setting you might be learning things you are not interested in and are not important to what you want to achieve. With one-on-one mentoring, you are getting answers to the questions that are important to you and your career.
Q: Can Brady teach me sound design too?
A: Yes.
Q: How many mentoring sessions would it take for me to start creating music that gets used in a production library?
A: For each composer, it would depend on the amount of music knowledge, work ethic, and ability to digest the information they have.
He is a firm believer that having one-on-one mentoring discussions with someone who is actively successful in the business is the most effective way to learn.
Q: How much do production music composers make in their first year?
A: This is variable. The more music written, where it has been placed, and the type of program the music was placed on all go into the variable.
Q: Why is one-on-one mentoring better than taking an online course for production music?
A: Most times in a classroom setting or online courses you might be learning things you are not interested in and are not important to what you want to achieve. With one-on-one mentoring, you are getting answers to the questions that are important to you and your career and from professionals that have proven to be successful.
